Paper Cut Works

My paper cut works are grounded in radical reduction.

The removal of material is not a means to an end, but the act itself.

Black and white do not function as opposites, but as a shared field in which light, surface, and cut carry equal weight.

The works emerge from a tension between control and openness.

Every form is deliberate. Every void is active.

The works are conceived without reliance on colour.
The eye moves along edges, fractures, and transitions.



'Prague by Day and Night'

1 8

'Insects'

  • "Insects 4"

    €450,00
    €450,00
    "Insects 4"

  • "Insects 3"

    €450,00
    €450,00
    "Insects 3"

  • "Insects 2"

    €450,00
    €450,00
    "Insects 2"

  • "Insects 1"

    €450,00
    €450,00
    "Insects 1"

New York Paper Cuts

  • "Brooklyn Bridge"

    €460,00
    €460,00
    "Brooklyn Bridge"
    Sold

  • "Guggenheim"

    €460,00
    €460,00
    "Guggenheim"
    Sold

Paper Cuts - Art for the Colourblind

Art for the Colour-Blind is not a separate project, but the underlying premise of the paper cut works.

Its point of departure is the question of how pictorial essence can be perceived without the use of colour.

The works focus on contrast, structure, rhythm, and the orchestration of light.

Approximately one in twelve men and one in two hundred women live with some form of colour vision deficiency.

Colour-based art remains partially or entirely inaccessible to them.

Seeing is not assumed here, but renegotiated.

'I want to eat your Chicken'

1 8

'Prague in 2020'